I admit that the more I use the X100s, the more I trust its JPG engine. If you want to work with RAW files as I do, things get a little more complicated because it is not easy to find a software that can reproduce these colours accurately enough. Now, a limitation to this is that to fully appreciate these colours, you will have to rely solely on JPGs on-camera. My favourites are Astia and Velvia, especially for the warm tones: they render yellow and orange in a very unique way. One thing I really love about the Fuji’s X-Trans sensor is the colour reproduction of their various film simulation modes. I like photographs whose colours remind me of that. Beautiful colours in a photograph are the aspect that will set me in motion more than anything else, probably because I have always appreciated art and paintings. The most important thing for me when it comes to pure image quality is colour. I am not usually bothered by noise in my pictures (within reasonable limits), and I won’t hesitate to raise my ISO if necessary. But as there are many digital technology lovers out there, sometime the geek inside me takes the lead! (Try saying that five times fast!) If you have already read some of my articles such as why I am using the E-M5 for work or our E-P5/X100s unconventional ISO comparison, the truth is that I mostly care about functionality and the actual photographs produced by the camera.
#IRIDIENT DEVELOPER FILM SIMULATIONS FULL#
I am not usually the pixel-peeping kind of photographer, nor am I obsessed with bokeh or dynamic range or tridimensional full frame perception.
Update: the Fuji Film Simulation profiles are now included with Adobe Camera Raw 8.4.
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